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Essay
of the Month |
The
Yellow Gate and The Hill
Sérgio Pinheiro Lopes
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| January
1999 |
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I don't remember very well how I ended up there. It was
in the 70's, probably after reading Carlos Castañeda, someone mentioned
it. It was a little yellow wooden gate in the middle of the block.
You went down to the basement and in the entrance, close to an enormous
drum, people removed their shoes and put on sandals. In a small
room to the side, everybody sat quietly around a table. After a
while, a bald Japanese monk beat the drum and that deep sound was
the sign and everybody got up and went in single line to the Zen-do.
The Zen-do was an enormous room with benches along the walls. The
benches were covered with tatami and, at regular intervals, there
were fat blue cushions. Everybody made a bow, sat down on the cushions
facing the wall and assumed the lotus position. Silence was kept
for almost one hour. When the drum sounded again, this time in a
sequential rhythm that accelerated slowly, it was time to leave.
There I met Daijú who invited me to visit The Hill. I went. Appropriately
it was located in the state of Espírito Santo (Holy Ghost in Portuguese).
It was a Zen-Buddhist monastery, the only one in Latin America,
I was told, and it had a medieval atmosphere. There, you went to
the Zen-Do several times a day, the rest of the time you worked:
in the rice plantation, in the kitchen, sweeping the patio, repairing
whatever needed repair. Very little was spoken. You slept only the
necessary.
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